The way his rough hands hold me... His lips pressed to mine. This bad boy taught me how to use my body in ways I never imagined.
I thought I could get away without falling in love. I was dead wrong. This book contains steamy scenes with a HEA and no cliffhanger!
When Nona Conklin brings him a painting by the great-grandfather she never knew, gallery owner Timothy Randolph knows he's found the project of a lifetime: curating a spectacular cache of folk art hidden for decades in the mountains of her home. "God never made a lazier man than Cecil Conklin. Never put a more slothful soul in a fella big enough to wrestle an ox to the ground." The Conklin Collection is haunted and haunting, powerful in its brutal simplicity.
What looks like the work of a fevered imagination begins to appear more and more like the desperate attempts of a man toiling at the edge of his limits to depict what cannot be depicted… An underlying order as old as the hills, its thousand throats concealed beneath the roots and rocks, between the streams and trees, deep in the besieged mountains of Appalachia. "My momma said it was their eighteenth summer when Cecil started shooting up like a weed again.
That ain't normal." But the most crucial painting of all is missing.
And the only place it could be is the last place that should be searched. "The rest, I think they always knew deep down Cecil was the one in trouble, that something was after him already. He never should've gone over the mountain." I'll Bring You the Birds From Out of the Sky is a tale of art and obsession, of a dying heritage and cosmic horror, brought to rustic life with full-color paintings by artist Kim Parkhurst.
In Conflicting Commitments, Shannon Gleeson goes beyond the debate over federal immigration policy to examine the complicated terrain of immigrant worker rights. Federal law requires that basic labor standards apply to all workers, yet this principle clashes with increasingly restrictive immigration laws and creates a confusing bureaucratic terrain for local policymakers and labor advocates. Gleeson examines this issue in two of the largest immigrant gateways in the country: San Jose, California, and Houston, Texas. Conflicting Commitments reveals two cities with very different approaches to addressing the exploitation of immigrant workers--both involving the strategic coordination of a range of bureaucratic brokers, but in strikingly different ways. Drawing on the real life accounts of ordinary workers, federal, state, and local government officials, community organizers, and consular staff, Gleeson argues that local political contexts matter for protecting undocumented workers in particular. Providing a rich description of the bureaucratic minefields of labor law, and the explosive politics of immigrant rights, Gleeson shows how the ons learned from San Jose and Houston can inform models for upholding labor and human rights in the United States.
The Velvet Underground, among the most influential bands of all time, are credited with creating a streetwise, pre-punk sensibility that has become inseparable from the popular image of downtown New York. "Discovered" by Andy Warhol in 1966, the VU - with their original line-up of Lou Reed, John Cale, Sterling Morrison, and Mo Tucker - would soon become the house band of the avantgarde, composing songs simultaneously furious in their abrasiveness and beautiful in their pathos, standing in striking contrast to the prevailing flower power of the era. All Yesterdays' Parties gathers for the first time almost all of the published writings contemporary with the band's existence-from sources as mainstream as the New York Times to vanished voices of the counterculture like Oz, Fusion, and Crawdaddy! The book is a revealing snapshot of an era by trailblazing rock writers such as Lester Bangs, Robert Greenfield, and Paul Williams. With photographs, posters, and other visual evocations of the period throughout, All Yesterdays' Parties is an invaluable resource, a trove of lore for anyone interested in the VU, their roots, and legacy.
How did The Simpsons, one of the most popular television shows in history go from being attacked by many religious leaders for its lack of family values to being called one of the most theologically relevant programs in prime time?