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From mouth-watering fettucine to hand-made gelato, this Italian cookbook mixes easy to prepare, authentic recipes with tales, travels and experiences of Italy that will inspire you to cook and enjoy.
In The Postmodern Animal, Steve Baker explores how animal imagery has been used in modern and contemporary art and performance, and in postmodern philosophy and literature, to suggest and shape ideas about identity and creativity. Baker cogently analyses the work of such European and American artists as Olly and Suzi, Mark Dion, Paula Rego and Sue Coe, at the same time looking critically at the constructions, performances and installations of Robert Rauschenberg, Louise Bourgeois, Joseph Beuys and other significant late twentieth-century artists.
Baker's book draws parallels between the animal's place in postmodern art and poststructuralist theory, drawing on works as diverse as Jacques Derrida's recent analysis of the role of animals in philosophical thought and Julian Barnes's best-selling Flaubert's Parrot.
Evolve opens with the FDA rejecting a genetic therapy that cures breast cancer and unfolds into a political, philosophical, and scientific drama that will have readers asking questions about a fictional world that are more appropriately asked of the real one. The FDA rejects a new breast cancer therapy and scheming politicians stoke public outrage against the drug’s creators, claiming the drug would only be available to the wealthy and would be used as a weapon of genetic warfare against minorities and the poor. The scientists who created the drug are baffled and deeply depressed by the furor over their life-saving creation and are eventually driven to leave their entire lives’ work, going into hiding from a world hostile to everything in which they believe. Politicians manipulate each other and the public for power, the company which created the drug struggles to maintain its independence from an impending government take-over, and investors and rival companies must choose sides in a political war. Billion dollar budgets, entire industries, individuals who might be saved by drugs that will never exist, and the Presidency are the casualties of the deception, manipulation, power struggles, and fighting of Evolve. In Evolve, actions are shown to have their logical if unintended consequences; people are driven by unrecognized but ever-present incentives; and the way the world works is made apparent in the order that ultimately emerges. Evolve presents the reader with a grandiose vision of the world. Politicians meddle with the economy; regulation is used to protect people from themselves and destroy enemies; scientists scheme to better their own careers while feigning to seek the truth in nature; and business leaders are shown to be geniuses, corrupt, humanitarians, and sleazy opportunists. Readers will come to see slivers of each of the novel’s characters in the people in their own lives. Human evolution, achievement, and the value of freedom are the novel’s core themes. Evolve is Jurassic Park meets Atlas Shrugged with a timely and time narrative.
The Dominican priest Bartolom de las Casas (1485 1566) was a prominent chronicler of the early Spanish conquest of the Americas, a noted protector of the American Indians, and arguably the most significant figure in the early Spanish Empire after Christopher Columbus. Following an epiphany in 1514, Las Casas fought the Spanish control of the Indies for the rest of his life, writing vividly about the brutality of the Spanish conquistadors. Once a settler and exploiter of the American Indians, he became their defender, breaking ground for the modern human rights movement. Las Casas brought his understanding of Christian scripture to the forefront in his defense of the Indians, challenging the premise that the Indians of the New World were any civilized or capable of practicing Christianity than Europeans. Bartolom de las Casas: A Biography is the first major English-language and scholarly biography of Las Casas' life in a generation.
Liam Moore has spent the last twelve years of his life as White Wolf, an adopted member of the Blackfoot Nation. His self-imposed isolation ends when his dying best friend begs Liam to marry his cousin. Unable to deny his friend any request Liam marries her. River Lily despises white people and is shocked when her cousin asks that she marry his white friend. Before long she finds her heart softening towards him, but she isn’t sure that she could ever love someone who is white. But a man is stalking River Lily, and there is danger around every tree. Will Liam’s heart heal enough to let River Lily in? Can River Lily learn to let go of the past and love Liam? Or will their love be doomed before it can be realized?