Witches of Etlantium continues with an exciting and romantic new installment Aislin has been abducted from her homeland and sold into slavery by her mother to a man she has yet to meet and delivered by a man she can't resist.
The two of them have their own demons to manage, but if she can win either of them to her side, she might have a chance of finding revenge on the selfish mother who refuses to pass down her power. But life as a chattel wife isn't easy, and it certainly isn't safe enough to plot revenge. Read the exciting new installment of the Witches of Etlantium and find out how power, manipulation, and finding yourself can take you on a gruesome, thrilling, yet deeply romantic adventure Smoke Witch is the continuation of the NA romance series Witches of Etlantium, and offers a strong female lead, fantasy with a bit of mercenary romance and womens adventure, and a sorceress romance take on abduction romance.
Following a devastating world war, the surface of the planet has been covered in a substance called Dust, a weapon that can break down the physical make up of entire cities, reducing them to rubble and preventing citizens from rebuilding their lost metropolises for several years. In order to survive, humanity has taken refuge in crowded, underground cities. Ian Blum is a 15 year old boy living in one such city. His crippling social anxiety confines him to a solitary life at home, while his parents are away at their jobs. The person he interacts with the most is his home school professor, Michael Wasley. One night, Ian is visited by a mysterious figure in a dream. The man warns Ian of a great earthquake that will destroy the cities, killing all of the inhabitants. The man charges Ian with the task of getting everyone out. Soon after, Ian finds out that he isn't the only one who has had this dream and reluctantly joins a group of rebels who has made it their mission to drive everyone from the cities for their own safety, however, no one believes in the stranger's prophecy. Ian and the rebels must find a way to get the people to safety at any cost.
In Seth Godin’s most inspiring book yet, he challenges readers to find the courage to treat their work as a form of art. Everyone knows that Icarus’s father made him wings and told him not to fly too close to the sun. But he ignored that warning and plunged to his doom. We’ve retold this myth, and many others like it, to generations of kids. All these stories have the same on: Play it safe. Obey your parents. Listen to the experts. It was the perfect propaganda for the industrial economy. What boss wouldn’t want employees to believe that obedience and conformity are the keys to success? But there’s another part of the myth that those in power hope you’ll forget. Icarus was also warned not to fly too low, because sea water would ruin the lift in his wings. Flying too low is even more dangerous than flying too high, because it feels deceptively safe. The safety zone has moved. The propaganda has been exposed, and the old promises have been broken: Conformity no longer leads to comfort. But the good news is that creativity is scarce, and more valuable than ever. So is choosing to do something unpredictable and brave: make art. Being an artist isn’t a genetic disposition or a specific talent. It’s an attitude we can all adopt. It’s a hunger to seize new ground, make connections, and work without a map. If you do those things you’re an artist, no matter what it says on your business card. Whether you’re a teacher, engineer, doctor, middle manager, or customer service rep, you can fly higher by bringing your best self to work. You can care about what you’re doing today and how you can improve tomorrow. Godin shows us how it’s possible, and convinces us why it’s essential.
In 2010, David Mogolov began a series of three comedic monologues that left audiences questioning their life decisions small and large, from their flossing habits to their anger at Ponzi schemers. A hilarious, deep dive into the limits of human rationality, Mogolov's comedy also presents history's most thorough analysis of the smell of a Subway sandwich. In This Could Have Gone Worse, the trilogy of shows is annotated and expanded with commentary on how they were written and produced, with an honest account of what failed and what succeeded, and why. The notes and new chapters look at it from both the perspective of Mogolov and his director, Steve Kleinedler.
Anybody interested in the process of writing and performing comedy is likely to find the book an insightful and funny look into the process of creating small-stage comedy that wrangles with big-stage issues.
When Sam Kornberg’s wife, Lala, walks out on him, he’s an unemployed used-book store clerk and failed experimental novelist with a broken heart. Desperate to win her back, he takes a job as assistant detective to the enigmatic Solar Lonsky, a private eye who might be an eccentric and morbid genius or just a morbidly obese madman. It’s a simple tail job, following a beautiful and mysterious lady around L.A., but Sam soon finds himself helply falling for his quarry and hopely entangled in a murder case involving Satanists, succubi, underground filmmakers, Hollywood bigshots, Mexican shootouts, video-store geekery, and sexy doppelgangers from beyond the grave. A case that highlights the risks of hardcore reading and mourns the death of the novel—or perhaps just the decline of Western Civilization. Mystery Girl is a thriller about the dangers of marriage and a detective story about the unsolvable mysteries of love, art, and other people.