The bestselling series from the author of Class of '89. Courtney's boss comes on too strong and she must choose: keep her silence and her job or speak out and risk losing her job and her reputation. Liza's new TV role may destroy her first love. Is wild Winnie ready for motherhood?
THE CAPE COLONY, 19TH CENTURY SOUTH AFRICA. Jamie Fyvie and Iain McColl sail for Cape Town to wage war on the ELOS, a dark force which has taken control of the armed forces in the Cape Colony. The boys must crush a plot to wipe out the Xhosa clans of the Eastern Cape, the survivors to be sold into slavery in America. The voyage sees them battle with mutineers to save their own lives and two young ladies who will become part of their future in the Cape An ELOS executioner pursues Jamie and Iain, hell-bent on murdering them for the clues to a treasure buried by the Knights Templar five hundred years in the past. The Xhosa fight a bloody war against the British Army on the frontier, dying to win back their lands and freedom against a general who takes no prisoners.
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire." This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and ons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions French, German, Italian, Russian, and American are represented, as are the major voice types soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them."
Ce livre n'est pas un manuel qui résumerait les acquis d'une discipline établie. Il parcourt un terrain en voie de constitution, celui d'une analyse du discours littéraire. (Somabec).
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