-- 100+ page biographies of famous Americans. -- Great for reports and curriculum tie-ins.
The single-mother families of the isolated high-rise community under the shadow of the Lyderhorn, Bergen's great mountain – steep, dark and oppressive – were being robbed, terrorized and molested by a teenage gang led by the psychopath, Joker, who looked like a priest, but with the eyes of a tiger and the teeth of a decaying corpse.
John Watson, PhD student, husband and father to be, struggles to keep his research and career goals on track as he discovers strange anomalies in his artificial intelligence system. As his fledgling expert system grows capable of autonomously navigating, understanding and interacting with the Internet, his dreams begin to unravel when the system becomes targeted by malicious hackers, greedy corporations and someone inside the university.
John and his expecting wife Sarah must protect their future as his research professor, Dr. Max Jeffries, threatens to pull the plug on a decade of work when the system begins behaving in ways that John can’t quite fully explain. I am AWAKE is the first book in the John Watson trilogy of computer science fiction novels.
Women as Wartime Rapists reveals the stories of female perpetrators of sexual violence and their place in wartime conflict, legal policy, and the punishment of sexual violence. Very few women are wartime rapists. Very few women issue commands to commit sexual violence. Very few women play a role in making war plans that feature the intentional sexual violation of other women.
This book is about those very few women. More broadly, Laura Sjoberg asks, what do the actions and perceptions of female perpetrators of sexual violence reveal about our broader conceptions of war, violence, sexual assault, and gender? This book explores specific historical case studies, such as Nazi Germany, Serbia, the contemporary case of ISIS, and others, to understand how and why women participate in rape during war and conflict. Sjoberg examines the contrast between the visibility of female victims and the invisibility of female perpetrators, as well as the distinction between rape and genocidal rape, which is used as a weapon against a particular ethnic or national group. Further, she explores women's engagement with genocidal rape and how some orchestrated the ethnic cleansing of entire regions. A provocative approach to a sensationalized topic, Women as Wartime Rapists offers important insights into not only the topic of female perpetrators of wartime sexual violence, but to larger notions of gender and violence with crucial cultural, legal, and political implications.
In October 1990, the Library of Congress announced its list of twenty-five culturally, historically, and aesthetically significant films to be added to the National Film Registry. The River, written and directed by Pare Lorentz in 1937, was inducted along with Scorsese's Raging Bull and Capra's It's a Wonderful Life. Originally published in 1967, Pare Lorentz and the Documentary Film was the first book devoted exclusively to the works of Lorentz. Robert L. Snyder focuses on the films Lorentz made for the United States Film Service - The River, The Plow That Broke the Plains, and The Fight for Life. With the exception of a few vintage World War I training films, these three films were the first made by the government for general viewing by the American public. It was Lorentz's idea to produce a series of films about the pressing problems facing the nation during the Great Depression - drought, floods, poverty, and slums. With an initial budget of $6,000 and the enormous drive and energy of a young director who had never made a motion picture, the beginnings were anything but auspicious.
The results, however, were sensational and often made national headlines. In spite of inadequate budgets, bureaucratic red tape, professional jealousies, Lorentz developed new filming techniques and set new standards in his documentaries.
Snyder has written a perceptive account of the production of these classic films and the contemporary reaction to them, along with a critical evaluation of each work.
This is an important book for anyone interested in documentary film and the history of the Depression era.
In December 1926 Agatha Christie became front-page news when she vanished in bizarre circumstances from her home in Berkshire, England. The crime writer was found 11 days later in a hotel in Harrogate,Yorkshire, claiming to be the victim of amnesia. Up till now none of her biographers has come up with conclusive evidence as to what Agatha Christie did in the first 24 hours after she disappeared or whether her memory loss was genuine. Although the notoriety made Agatha Christie famous, she never recovered from the intense press scrutiny, and the private anguish that surrounded the episode ensured that she made no reference to it in her memoirs.
Illustrated with many hitherto unpublished photographs, Jared Cade's riveting book—on which a BBC television documentary has been based—provides all the answers, including startling accounts by the novelist's surviving relatives, that reveal for the first time why she staged the disappearance with the help of a co-conspiritor and how it all went terribly wrong.
Nelly och Valle är på cykelsemester. Deras lärare från Monsterakademin, LENA-SLEVA, har tipsat dem om att slå läger nära en nedlagd skola. Lägerplatsen ser idyllisk ut, men på natten tränger höga skrik ut från den gamla skolan. Uppskrämda smyger de dit och möts av en märklig syn: ett gammalt spöke försöker rytande få tre sjövilda gastar att lära sig läsa och räkna. Han berättar uppgivet att detta är hans sista uppdrag innan han kan få frid. Nelly och Valle inser att de måste hjälpa honom, och spöket låter dem tacksamt ta över undervisningen. De börjar med att låta gastarna vara med och bestämma, därefter använder de sina "tre L" ovanligt listigt ...