Drawn from more than twenty of the books of Thich Nhat Hanh, these are the essential writings of one of the most popular spiritual writers of today. Thought-provoking and inspiring, this selection is aimed at the mind, body and spirit.
Chism Talbert had loved her first, and best -- but he had broken her heart. He was the caretaker's handsome son.
She was Minta Westerly, the privileged girl who'd surrendered to him one starry summer night -- then been abandoned when he abruptly left town. Now she was back in the big house where she'd spent family vacations -- and suddenly, impossibly, Chism walked through the door, pinning her with mesmerizing eyes that burned with fury and desire. Both were haunted by the dreams they'd woven together, the promises they'd whispered under a willow tree -- and both were devastated by a misunderstanding that still felt like a betrayal. But the years apart and the pain they had denied only fed the fires of passion that sizzled within. Minta longed to taste the magic of Chism's lips once more, even if he insisted that time had made them strangers. Could she make him see she belonged in his world, and that he would have a home in her heart forever?
An army of the drowned dead, family betrayal, an exiled witch who doesn't know she has power--or that enemies are lurking all around her, spying on her. Follow Kassandra as she discovers who and what she is in this moving underwater fantasy. Kassandra comes from the sea, but she has no memory of saltwater, seagulls, or an incoming tide. She's never seen an ocean, never heard the thunder of surf. She's an exile, betrayed by her own family, sent as far from the sea as they could arrange--somewhere in the middle of Nebraska. Everything changes the day she drowns in Red Bear Lake, and discovers she can't really drown. Not in the way everyone else can. Then a two-thousand year old king wakes inside her head and turns out to be a prodigy with mathematics.
Kassandra cries for the first time in her life, and learns that her tears are doorways for calling things from the sea. With clues from summoned sea-demons and the voices in her head, Kassandra sets out to find out what the hell is going on...and discovers she's a prisoner, trapped between a murderous grandfather who controls an army of the drowned dead, river witches who spy on her through the plumbing, and Ms. Matrothy, the Girl's Department Director, who's been trying to kill her since she was four.
Can the origins of morality be explained entirely in evolutionary terms? If so, what are the implications for Christian moral theology and ethics? Is the latter redundant, as socio-biologists often assert? Stephen Pope argues that theologians need to engage with evolutionary theory rather than ignoring it. He shows that our growing knowledge of human evolution is compatible with Christian faith and morality, provided that the former is not interpreted reductionistically and the latter is not understood in fundamentalist ways. Christian ethics ought to incorporate evolutionary approaches to human nature to the extent that they provide helpful knowledge of the conditions of human flourishing, both collective and individual. From this perspective, a strong affirmation of human dignity and appreciation for the theological virtues of faith, hope and charity is consistent with a revised account of natural law and the cardinal virtues.
When Nona Conklin brings him a painting by the great-grandfather she never knew, gallery owner Timothy Randolph knows he's found the project of a lifetime: curating a spectacular cache of folk art hidden for decades in the mountains of her home. "God never made a lazier man than Cecil Conklin. Never put a more slothful soul in a fella big enough to wrestle an ox to the ground." The Conklin Collection is haunted and haunting, powerful in its brutal simplicity.
What looks like the work of a fevered imagination begins to appear more and more like the desperate attempts of a man toiling at the edge of his limits to depict what cannot be depicted… An underlying order as old as the hills, its thousand throats concealed beneath the roots and rocks, between the streams and trees, deep in the besieged mountains of Appalachia. "My momma said it was their eighteenth summer when Cecil started shooting up like a weed again.
That ain't normal." But the most crucial painting of all is missing.
And the only place it could be is the last place that should be searched. "The rest, I think they always knew deep down Cecil was the one in trouble, that something was after him already. He never should've gone over the mountain." I'll Bring You the Birds From Out of the Sky is a tale of art and obsession, of a dying heritage and cosmic horror, brought to rustic life with full-color paintings by artist Kim Parkhurst.
Ce livre n'est pas un manuel qui résumerait les acquis d'une discipline établie. Il parcourt un terrain en voie de constitution, celui d'une analyse du discours littéraire. (Somabec).
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