This is the true story of May, the most beautiful and sweet PETGIRL in the world.
A tale for ADULTS.
A laugh-out-loud funny and charming picture book about being yourself and understanding others. Max and his parents have a dog called Fabio.
Fabio doesn’t like doing what other dogs do. One day, Max discovers that his dog goes out every night, and he decides to follow him… Blanca Lacasa: A journalist, singer, and writer from Spain. She writes lyrics and books for adults and children. She has published with several Publishing Houses in Spain. Bow Wow Meow is her first picture book with NubeOcho and her first picture book in the USA. GOMEZ studied Fine Arts at the prestigious University of Salamanca (Spain). A new talent, she has worked for several publishing houses in Europe, such as SM in Spain, Le Petit Bulles Edition in France, and Scholastics and Sterling in the USA.
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire." This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and ons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions French, German, Italian, Russian, and American are represented, as are the major voice types soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them."
The Velvet Underground, among the most influential bands of all time, are credited with creating a streetwise, pre-punk sensibility that has become inseparable from the popular image of downtown New York. "Discovered" by Andy Warhol in 1966, the VU - with their original line-up of Lou Reed, John Cale, Sterling Morrison, and Mo Tucker - would soon become the house band of the avantgarde, composing songs simultaneously furious in their abrasiveness and beautiful in their pathos, standing in striking contrast to the prevailing flower power of the era. All Yesterdays' Parties gathers for the first time almost all of the published writings contemporary with the band's existence-from sources as mainstream as the New York Times to vanished voices of the counterculture like Oz, Fusion, and Crawdaddy! The book is a revealing snapshot of an era by trailblazing rock writers such as Lester Bangs, Robert Greenfield, and Paul Williams. With photographs, posters, and other visual evocations of the period throughout, All Yesterdays' Parties is an invaluable resource, a trove of lore for anyone interested in the VU, their roots, and legacy.
Recipiendaire du prix Mom's Choice Award, Le petit ours et le gros ours est une merveilleuse histoire a propos d'un petit ours heureux qui rencontre un gros ours grognon. Alors qu'ils deviennent des amis, le petit ours apprend au gros ours comment faire face a ce que le gros ours considere comme des obstacles. Ce livre comprend un exercice unique concu pour assister les parents afin d'aider leur enfant a reconnaitre et faire face aux frustrations qui souvent peuvent mener a l'anxiete."