Many artists find the move into abstraction a difficult and uncertain one because they lack the proper guidance needed to take this bold step. In this inspirational workbook, award-winning mixed media artist Claire Harrigan leads painters towards non-representational painting through the use of color. Fantastically illustrated throughout and featuring sound technical advice, it covers every aspect of abstract painting, from concepts and influences, inspirations and starting points to approaching subjects, basic design considerations, and surface textures. Step-by-step analyses of Harrigan’s own work demonstrate the importance of color contrast, harmony, and impact in a range of mixed media.
In this authoritative volume, race and ethnicity are themselves considered as central organizing principles in why, how, where and by whom crimes are committed and enforced. The contributors argue that dimensions of race and ethnicity condition the very laws that make certain behaviors criminal, the perception of crime and those who are criminalized, the determination of who becomes a victim of crime under which circumstances, the responses to laws and crime that make some more likely to be defined as criminal, and the ways that individuals and communities are positioned and empowered to respond to crime. Contributors: Eric Baumer, Lydia Bean, Robert D. Crutchfield, Stacy De Coster, Kevin Drakulich, Jeffrey Fagan, John Hagan, Karen Heimer, Jan Holland, Diana Karafin, Lauren J.
Krivo, Charis E. Kubrin, Gary LaFree, Toya Z. Like, Ramiro Martinez, Jr., Ross L. Matsueda, Jody Miller, Amie L.
Nielsen, Robert O'Brien, Ruth D. Peterson, Alex R.
Piquero, Doris Marie Provine, Nancy Rodriguez, Wenona Rymond-Richmond, Robert J. Sampson, Carla Shedd, Elizabeth Trejos-Castillo, Avelardo Valdez, Alexander T. Vazsonyi, Maria B.
Velez, Geoff K. Ward, Valerie West, Vernetta Young, Marjorie S. Zatz.
Women as Wartime Rapists reveals the stories of female perpetrators of sexual violence and their place in wartime conflict, legal policy, and the punishment of sexual violence. Very few women are wartime rapists. Very few women issue commands to commit sexual violence. Very few women play a role in making war plans that feature the intentional sexual violation of other women.
This book is about those very few women. More broadly, Laura Sjoberg asks, what do the actions and perceptions of female perpetrators of sexual violence reveal about our broader conceptions of war, violence, sexual assault, and gender? This book explores specific historical case studies, such as Nazi Germany, Serbia, the contemporary case of ISIS, and others, to understand how and why women participate in rape during war and conflict. Sjoberg examines the contrast between the visibility of female victims and the invisibility of female perpetrators, as well as the distinction between rape and genocidal rape, which is used as a weapon against a particular ethnic or national group. Further, she explores women's engagement with genocidal rape and how some orchestrated the ethnic cleansing of entire regions. A provocative approach to a sensationalized topic, Women as Wartime Rapists offers important insights into not only the topic of female perpetrators of wartime sexual violence, but to larger notions of gender and violence with crucial cultural, legal, and political implications.
[Siren Classic: Erotic Contemporary Romance, light bondage, spanking, sex toys] Dana has always loved Clay, her brother's best friend. She'd grown up with him always around, and when she left to pursue a modeling career in New York and to go to college, leaving him behind was difficult. Coming home for vacations and holidays through the years, she began to realize the brotherly feelings were gone, replaced with lust and need. On one storm-riddled night, she'd nearly seduced him. With time, she began to learn what got her excited and realized she'd become an unconventional woman in most men's eyes. Coming home for good, Dana finally let Clay know her secret. If he could accept her need for toys, spanking, and bondage in the bedroom, they might stand a chance at a future together. ** A Siren Erotic Romance
A bad breakup. A serious illness. The loss of a job. Life has a habit of throwing people curveballs. To which Karen Salmansohn says: "When life throws you curveballs, hit them out of the park." In The Bounce Back Book the dynamic author whose quirky self-help books-including How to Make Your Man Behave . . .
and How to Be Happy, Dammit-mixes from-the-gut wisdom, humor, feistiness, and sophistication to create a hip, inspiring resource that will brighten the darkest mood. The book is grounded in happiness research, psychological studies, Greek philosophy. And it delivers: Here are 70 easily digestible, potentially life-changing tips on how to bounce back from adversity, each on a spread that's as punchy in look as it is powerful in message. "Shrink negativity into nuggetivity." "Think of yourself as the type of person the world says yes to." With its attitude, techniques, and advice on everything from exercise to staying connected, it is a full-on guide to moving forward with great positive energy.
Harlem has captivated the imagination of writers, artists, intellectuals, and politicians around the world since the early decades of this century. Rhapsodies in Black: Art of the Harlem Renaissance examines the cultural reawakening of Harlem in the 1920s and 1930s as a key moment in twentieth-century art history, one that transcended regional and racial boundaries. Published to coincide with the exhibition that opens in England and travels to the United States, this catalog reflects the Harlem Renaissance's impressive range of art forms—literature, music, dance, theater, painting, sculpture, photography, film, and graphic design. The participants included not only artists based in New York, but also those from other parts of the United States, the Caribbean, and Europe. Richard J. Powell and David A. Bailey present selected works that focus on six themes: Representing "The New Negro;" Another Modernism; Blues, Jazz, and the Performative Paradigm; The Cult of the Primitive; Africa: Inheritance and Seizure; and Jacob Lawrence's Toussaint L'Ouverture series. The visual arts from 1919 to 1938 included in the book suggest the extraordinary vibrancy of the time when Harlem was a metaphor for modernity. In spite of the importance of the Harlem Renaissance to early twentieth-century American culture and to the artistic climate of "Jazz Age" Paris and Weimar Berlin, few art exhibitions have been devoted exclusively to the subject. Rhapsodies in Black will be welcomed for its unique presentation of this creative time.