New from Bestselling Author Ellie Danes When people want things they call me. It doesn’t matter what it is, I have it or can find it, for a price. The one thing I want for myself I can’t seem to get, her. She likes nice guys and nice things. Everything I’m not. That was until the night I rescued my brother’s business partner. Now I’m part of his underground society, a way of repaying his debt to me for saving his life. It’s also the way she’s going to be mine.
"SHE'S YOURS." Two handwritten words changed Dr. Greg Hamilton's playboy lifestyle forever. From the moment he found his baby girl on the doorstep, she held his heart in her tiny hands.
Juggling fatherhood and a busy practice wasn't easy, so when the shy and lovely Jane Dale proposed she be baby Joy's nanny, Greg didn't question his luck....
Jane's pulse beat fast when she faced the man who'd supposedly seduced and left her sister. When she'd joined his household under false, she hadn't expected her niece's father to be caring, honest ... and much too attractive. Would her deception cost her the child and the man of her heart?
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire." This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and ons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions French, German, Italian, Russian, and American are represented, as are the major voice types soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them."
Women as Wartime Rapists reveals the stories of female perpetrators of sexual violence and their place in wartime conflict, legal policy, and the punishment of sexual violence. Very few women are wartime rapists. Very few women issue commands to commit sexual violence. Very few women play a role in making war plans that feature the intentional sexual violation of other women.
This book is about those very few women. More broadly, Laura Sjoberg asks, what do the actions and perceptions of female perpetrators of sexual violence reveal about our broader conceptions of war, violence, sexual assault, and gender? This book explores specific historical case studies, such as Nazi Germany, Serbia, the contemporary case of ISIS, and others, to understand how and why women participate in rape during war and conflict. Sjoberg examines the contrast between the visibility of female victims and the invisibility of female perpetrators, as well as the distinction between rape and genocidal rape, which is used as a weapon against a particular ethnic or national group. Further, she explores women's engagement with genocidal rape and how some orchestrated the ethnic cleansing of entire regions. A provocative approach to a sensationalized topic, Women as Wartime Rapists offers important insights into not only the topic of female perpetrators of wartime sexual violence, but to larger notions of gender and violence with crucial cultural, legal, and political implications.
In this short story set after the events of How to Love a Monster, Fiend and Seraphim attend a Halloween party at Wish’s house, where unresolved tensions lurk like ghosts and Wish unleashes a diabolical surprise. Word count: 5,000 WARNING: This story must be read after How to Love a Monster, as it contains many spoilers and references to the previous story.
The finest book on basic First Aid available; this manual is based on a great deal of experience under primitive conditions. Chapters include basic life saving first aid, opening the airway and restoring breathing, stop bleeding, treat for shock, first aid for common emergencies. Also, contents of first aid case and kits.
Very well illustrated. Do not let yourself or your buddy die; read this book!