If you own and operate a small retail business, this guide will give you a proven system for marketing your store, allowing you to compete with online merchants and big-box stores alike. Full of fresh and innovative ideas for promoting small stores, it will show you how to create a great in-store experience and build loyal, long-lasting relationships with customers.
Da migliaia di anni una tavola dal valore inestimabile nasconde uno dei segreti più ambiti dall’uomo: la formula dell’eterna giovinezza. Il prezioso oggetto è stato nascosto e protetto per molto tempo dalla storia, che ne ha fatto dimenticare persino l’esistenza. Adesso, però, qualcuno intende recuperarlo ed è disposto a tutto per impossessarsene e decifrare il misterioso testo che è inciso nella pietra. Nel corso dei secoli la tavola è passata di generazione in generazione, segnando il destino di molte persone in una lunga spirale di intrighi e morte: come quello di Yagurum, un bambino vissuto mille anni prima della nascita di Cristo; di Fiammetta, giovane amante di un camerlengo nella Roma rinascimentale; di Alex Kasakian, informatico squattrinato e di Ann Carrington, brillante insegnante universitaria, esperta di linguaggi antichi.
Just when Xavier got Patience to understand her place, Chaos came through and destroyed it, with her attacks and challenges. Chaos had been released and didn’t planned on being caged up in Patience’s mind again. She wreaked havoc on the Southern Facility and gather information about her parent’s death from the Supreme Guardian that was there. She set her sights on the next facility and assassin that put the blade in the hand of the Guardian that killed her father.
Chaos was ready to avenge her parent’s death, but the power that the Alpha had over her, killed all the plans that she made. Xavier was at lost for words when Chaos took over Patience’s body. He didn’t know what to suspect or how to control her. He decided to try and bond with Chaos to get in her head, but she got into his and made him a different man and Alpha to his Queen. He became clipped and irritated with everything Patience did. He realized that he was changing for the worse, when his wolf didn’t recognize Patience as his Queen. Matteo is also loose and looking for the Guardians that killed his babies. He went to the Southern Facility and saw the damages that were done. He knew who done it and couldn’t wait to meet his granddaughter. When he met her, he noticed how powerful she was and thought that she would be better with a Guardian. Patience told him the same thing that she had been telling everyone else, Xavier was her Alpha and she wasn’t going nowhere, so she thought. Patience was going through it. Chaos was getting stronger and was ready to take complete control over her. She had been waking up aching and with bruises all over her body. She tried to talk to her Alpha, but he had changed. When her grandfather shines light on a dim situation, Patience transformed into a different person and confronts Xavier in front of the entire family. It hurts her more when she found out that her brothers knew about Xavier secret and didn’t bother to tell her. Not even her favorite, Maxi. Patience was battling a war within herself.
She had to get Chaos under control before she made her lose the only family that she had left. An unknown guest and an enemy of the wolves showed up unexpectedly to protect the Queen from the Guardians that had her on their most wanted list. Their help wasn’t needed. Xavier felt that he was enough to protect her from anything, but who was going to protect her from him. In, It Took a Beast to Tame Her 2, secrets will be revealed, and mates will be found. Will Patience trust Xavier enough to let him in or will she rely on others to protect her? Even if it put her and their unborn child in danger.
In this authoritative volume, race and ethnicity are themselves considered as central organizing principles in why, how, where and by whom crimes are committed and enforced. The contributors argue that dimensions of race and ethnicity condition the very laws that make certain behaviors criminal, the perception of crime and those who are criminalized, the determination of who becomes a victim of crime under which circumstances, the responses to laws and crime that make some more likely to be defined as criminal, and the ways that individuals and communities are positioned and empowered to respond to crime. Contributors: Eric Baumer, Lydia Bean, Robert D. Crutchfield, Stacy De Coster, Kevin Drakulich, Jeffrey Fagan, John Hagan, Karen Heimer, Jan Holland, Diana Karafin, Lauren J.
Krivo, Charis E. Kubrin, Gary LaFree, Toya Z. Like, Ramiro Martinez, Jr., Ross L. Matsueda, Jody Miller, Amie L.
Nielsen, Robert O'Brien, Ruth D. Peterson, Alex R.
Piquero, Doris Marie Provine, Nancy Rodriguez, Wenona Rymond-Richmond, Robert J. Sampson, Carla Shedd, Elizabeth Trejos-Castillo, Avelardo Valdez, Alexander T. Vazsonyi, Maria B.
Velez, Geoff K. Ward, Valerie West, Vernetta Young, Marjorie S. Zatz.
Teachers have a challenging and often difficult job. They need inspiration. Christian inspiration! You're God's Gift to Teachers provides biblical encouragement to teachers. Uniquely, this book is targeted directly at teacher issues, with passages organized in 50 topics from A-Z. While the focus is on the bible verse, the author writes a specific context for teachers for each passage. This helps the reader have a greater understanding of the application, and therefore appeals to not only the "strong Christian" but also the newer Christian or even someone simply "interested" in a Christian perspective.
Topics include Caring, Confidence, Empathy, Faith, Generosity, Helping Hand, Integrity, Laughter, Leadership, Perception, Priorities, Service, Teamwork and many more. A recurring theme is that God has given you the gift of being a teacher. While the teacher is finding encouragement through the passages, they are also to "pay it forward" to their students. A passage on Love from Romans 12:9 states "Don't just pretend to love others. Really love them. Hate what is wrong. Hold tightly to what is good." Author Marder adds "Loving a student really means never giving up on them and constantly expressing hope. Show them you value the difference between right and wrong, something they can hold onto for their whole life." The topic on Positive Thinking from Philippians 4:8 states "And now, dear brothers and sisters, one final thing. Fix your thoughts on what is true, and honorable, and right, and pure, and lovely, and admirable. Think about things that are excellent and worthy of praise." Marder notes, "So now you know - it's not the self help gurus of the 20th century that came up with the power of positive thinking! In fact, Paul speaks to the issue 2000 years ago. In this letter directed to the Christian church in Philippi, it is noteworthy that he is providing this encouragement from jail (on trumped up charges)! The days for teachers are often long and challenging and it would be easy to get down. Keep you mind on the good things in life to keep your spirits up." There are over 170 pages of topics, and teachers have a place to jot notes, thoughts or prayers, that may be prompted by the reading, about or for students or others. This makes this quality hardback book both a workbook and a resource book for now and the future.
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire." This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and ons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions French, German, Italian, Russian, and American are represented, as are the major voice types soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them."
Meet A.K. Swift, a working-class war veteran and family man who is haunted by visions of nuclear apocalypse. When matters of conscience determine that he can no longer support the State-sponsored institutions that create the machines that threaten the living, A.K.decides to stop paying. Trouble is, he's not a very good tax resister. He forgets to attend the meetings and doesn't bother to fill out the proper forms. Now he worries there may be consequences. From the dustbin of Cold War protest literature, Bradley Smith s The Man Who Saw His Own Liver emerges as a heartfelt meditation on the time problem of the individual against authority. Rooted in libertarian theory and the moribund tradition of American transcendentalism, it is the story of an accidental rebel trembling in comic defiance under the yoke of God and State, and before the face Leviathan of modern Bureaucracy. Smith's writing is animated by a crisp and laconic prose-poetic hum. His is a uniquely personal canvass in which storytelling and gently wrought polemics interweave, seamly, with turns of magical realism coming to rest in that frail, strangely familiar liminal space, where ineffable exaltation and terror transcend the political. Originally conceived and performed for the stage in 1983, The Man Who Saw His Own Liver is presented by Nine-Banded books in novelized form.
It is appended with Smith s short story, Joseph Conrad and the Monster from the Deep. We hope you enjoy it.