En 1941, Ménaché Rozenbaum est un jeune résistant venu de Pologne. Il lutte depuis quelques mois contre l'envahisseur, les nazis et leur propagande. Alors qu'il distribue un journal de résistance, l'inimaginable se produit pour Ménaché : il est arrêté par la Gestapo et fait prisonnier. Pendant huit longs mois, il va lutter dans les sombres caves de la Gestapo contre des interrogatoires violents.
Il tiendra bon, ne donnant aucun renseignement concernant ses compagnons. Après une évasion spectaculaire avec l'aide d'un médecin et de deux infirmières, Ménaché a pu rejoindre les siens et, aujourd'hui grand-père, il transmet aux plus jeunes ce pan de l'Histoire noire de l'humanité dont il est un témoin précieux.
You think it would be perfect if dreams came true? Maya would disagree. Dancers are dying all over the world, and Maya Rao must find the killer before she ends up being the next victim. Maya must track down the killer & fight off zombies. Worst of all, she'd better watch her back because betrayal is in the air.
At a recent conference in Saskatchewan, indigenous and non-indigenous delegates from North and South America, New Zealand, Australia, and Europe addressed cultural restoration and the issues and challenges confronting Aboriginal peoples as a result of decolonization. Their aim was to determine how Aboriginal cultural rights in postcolonial societies can be restored and how to find new approaches for protecting, healing, and restoring cultures and languages of long-oppressed peoples.
In October 1990, the Library of Congress announced its list of twenty-five culturally, historically, and aesthetically significant films to be added to the National Film Registry. The River, written and directed by Pare Lorentz in 1937, was inducted along with Scorsese's Raging Bull and Capra's It's a Wonderful Life. Originally published in 1967, Pare Lorentz and the Documentary Film was the first book devoted exclusively to the works of Lorentz. Robert L. Snyder focuses on the films Lorentz made for the United States Film Service - The River, The Plow That Broke the Plains, and The Fight for Life. With the exception of a few vintage World War I training films, these three films were the first made by the government for general viewing by the American public. It was Lorentz's idea to produce a series of films about the pressing problems facing the nation during the Great Depression - drought, floods, poverty, and slums. With an initial budget of $6,000 and the enormous drive and energy of a young director who had never made a motion picture, the beginnings were anything but auspicious.
The results, however, were sensational and often made national headlines. In spite of inadequate budgets, bureaucratic red tape, professional jealousies, Lorentz developed new filming techniques and set new standards in his documentaries.
Snyder has written a perceptive account of the production of these classic films and the contemporary reaction to them, along with a critical evaluation of each work.
This is an important book for anyone interested in documentary film and the history of the Depression era.
Described by Pope Pius XII as the most important theologian since Thomas Aquinas, the Swiss pastor and theologian, Karl Barth, continues to be a major influence on students, scholars and preachers today. Barth s theology found its expression mainly through his closely reasoned fourteen-part magnum opus, Die Kirchliche Dogmatik. Having taken over 30 years to write, the Church Dogmatics is regarded as one of the most important theological works of all time, and represents the pinnacle of Barth s achievement as a theologian. T&T Clark International is now proud to be publishing the only complete English translation of the Church Dogmatics in paperback.