A mesmerizing novel of four generations of Southwestern women bound to a mythical legacy With its family secrets and hallowed texts containing explosive truths, The Night Journal suggests A. S. Byatt's Possession transplanted to the raw and beautiful landscape of the American Southwest. Meg Mabry has spent her life oppressed by her family's legacy--a heritage beginning with the journals written by her great-grandmother in the 1890s and solidified by her grandmother Bassie, a famous historian who published them to great acclaim. Until now, Meg has stubbornly refused to read the journals. But when she concedes to accompany the elderly and vipertongued Bassie on a return trip to the fabled land of her childhood in New Mexico, Meg finally succumbs to the allure of her great-grandmother's story--and soon everything she believed about her family is turned upside down.
Since it was first published in Hebrew in 2000, this provocative book has been garnering acclaim and stirring controversy for its bold reinterpretation of the relationship between Judaism and Christianity in the Middle Ages, especially in medieval Europe. Looking at a remarkably wide array of source material, Israel Jacob Yuval argues that the inter-religious polemic between Judaism and Christianity served as a substantial component in the mutual formation of each of the two religions. He investigates ancient Jewish Passover rituals; Jewish martyrs in the Rhineland who in 1096 killed their own children; Christian perceptions of those ritual killings; and events of the year 1240, when Jews in northern France and Germany expected the Messiah to arrive.
Looking below the surface of these key moments, Yuval finds that, among other things, the impact of Christianity on Talmudic and medieval Judaism was much stronger than previously assumed and that a "rejection of Christianity" became a focal point of early Jewish identity. Two Nations in Your Womb will reshape our understanding of Jewish and Christian life in late antiquity and over the centuries.
From mouth-watering fettucine to hand-made gelato, this Italian cookbook mixes easy to prepare, authentic recipes with tales, travels and experiences of Italy that will inspire you to cook and enjoy.
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire." This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and ons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions French, German, Italian, Russian, and American are represented, as are the major voice types soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them."
In the history of the movies, thousands of men, women, children, and even animals have tried to find success as a movie star. They were drawn from theater, opera, sports, and every type of entertainment venue, and some even came from out of nowhere. They took valiant stabs at entrancing audiences with their faces, personalities, or peculiarities. A precious few achieved greater popularity than anyone could have ever dreamed, but others vanished beneath the sands of time along with the films they so lovingly made. They gave us their most audacious efforts, but they did not find any lasting success, or having enjoyed a brief blush with triumph, they returned home to their true metiers. Some simply never found a second chance. This book celebrates the memorable attempts of ten who tried to be a movie star.
They shot across silver screens like comets, but they all disappeared like falling stars. Pulitzer nominated author David W. Menefee searched the major archives of the world to uncover the true behind-the-scenes stories of ten of Hollywood's most legendary headliners. He returned with this fascinating anthology that includes detailed analyses of their attempts at films, plot synopses, casts, contemporary reviews, production notes, and hundreds of rare photographs that capture the glamour and excitement of Hollywood's Golden Era. Enjoy this engaging compilation featuring Helen Keller, Enrico Caruso, Mary Garden, Babe Ruth, Otis Skinner, Anna Pavlova, Eleonora Duse, Lottie Pickford, Harry Houdini, and Maude Adams. Pulitzer nominee David W. Menefee is the author of: Sweet Memories Sarah Bernhardt, Her Films, Her Recordings, Wally: The True Wallace Reid Story, The First Female Stars: Women of the Silent Era' The First Male Stars: Men of the Silent Era, Richard Barthelmess: A Life in Pictures, "Otay!" The Billy "Buckwheat" Thomas Story, The Rise and Fall of Lou-Tellegen, Charlie O'Doone's Second Chance and Other Stories, Margot Cranston: The Mystery at Loon Lake, Margot Cranston: The Secret of St. Laurent Lighthouse, Margot Cranston: The Mystery at Loon Lake, Margot Cranston: The Quest for the Jade Dragons, George O'Brien: A Man's Man in Hollywood
Perhaps you have desired a more dynamic, personal relationship with Jesus. This book will take you through the steps of how to journal, as you develop your own special style. Discover golden nuggets of truth that appear to be written to you, only. Create a record that documents your life's ups and downs, displaying how God has been with you during those times; leading you, inspiring you, answering your prayers and given you the encouragement for your future. Journaling is a tremendous way to care for your emotional health and soul, increase your peace, build contentment and establish a legacy for your family. Of douse, the best benefit of journaling is a deeper, richer walk with Jesus. You may become so energized by journaling, it will turn into a life-long habit.
In October 1990, the Library of Congress announced its list of twenty-five culturally, historically, and aesthetically significant films to be added to the National Film Registry. The River, written and directed by Pare Lorentz in 1937, was inducted along with Scorsese's Raging Bull and Capra's It's a Wonderful Life. Originally published in 1967, Pare Lorentz and the Documentary Film was the first book devoted exclusively to the works of Lorentz. Robert L. Snyder focuses on the films Lorentz made for the United States Film Service - The River, The Plow That Broke the Plains, and The Fight for Life. With the exception of a few vintage World War I training films, these three films were the first made by the government for general viewing by the American public. It was Lorentz's idea to produce a series of films about the pressing problems facing the nation during the Great Depression - drought, floods, poverty, and slums. With an initial budget of $6,000 and the enormous drive and energy of a young director who had never made a motion picture, the beginnings were anything but auspicious.
The results, however, were sensational and often made national headlines. In spite of inadequate budgets, bureaucratic red tape, professional jealousies, Lorentz developed new filming techniques and set new standards in his documentaries.
Snyder has written a perceptive account of the production of these classic films and the contemporary reaction to them, along with a critical evaluation of each work.
This is an important book for anyone interested in documentary film and the history of the Depression era.