Fred Selkerson often heard his grandmother talk about how life had been different in the old United States, but he never understood, because all he knew was what life is like in the Green States of America. Now that he’s approaching 18, maybe it was time for him to find out for himself…
WHO KNOWS WHAT EVIL LURKS IN THE HEARTS OF MEN? The marks of death were upon them. A mysterious round burn no bigger than a dime scarred each forehead; upon each throat was a thin, almost invisible white line. The police were baffled, but each of the victims knew that his time was up and his page in the book of death had come due. It was obviously a case for THE SHADOW but the most famous crimefighter of all was missing! Where was the Master of Darkness? Had he finally succumbed to his brilliant adversary, the High Priest of the Cult of Kali? The evil genius who had infiltrated New York's underworld like a disease was now determined to destroy the last obstacle in his mad lunge for total power: THE SHADOW! Originally published in Shadow Magazine, Volume II, Number 6, July 1932.
Having a dog who has earned the name Dumpster is embarrassing. Ever since Erika's best friend, Lisa, moved away, Erika has been miserable at school because Kyla, a girl in her class, is an expert tease and Erika is her target. When a new girl with an unusual name joins the grade six class, Erika is surprised to find that she wants to be friends with both Kyla and Erika. Erika is certain that her days of having a friend are numbered, and she is determined to make the friendship last as long as possible. To do that, she believes, she must not let Mercedes learn about all her dogs. But before she is done, Mercedes will surprise her--and Erika will surprise herself.
A premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. "The most memorable thrills in an opera singer's life," according to the author's Introduction, "may easily derive from the great arias in his or her repertoire." This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and ons, by drawing attention "not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate." For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions French, German, Italian, Russian, and American are represented, as are the major voice types soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass. The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher's approach based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director. The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them."
[Siren Classic: Erotic Contemporary Romance, light bondage, spanking, sex toys] Dana has always loved Clay, her brother's best friend. She'd grown up with him always around, and when she left to pursue a modeling career in New York and to go to college, leaving him behind was difficult. Coming home for vacations and holidays through the years, she began to realize the brotherly feelings were gone, replaced with lust and need. On one storm-riddled night, she'd nearly seduced him. With time, she began to learn what got her excited and realized she'd become an unconventional woman in most men's eyes. Coming home for good, Dana finally let Clay know her secret. If he could accept her need for toys, spanking, and bondage in the bedroom, they might stand a chance at a future together. ** A Siren Erotic Romance
For over 220 years, my family and I have done everything in our power to let truth come out: the son of Louis XVI co-founder of the United-States, Louis XVII, didn't die in the Temple prison, contrary to what all successive Governments, and Bourbon and Orleans ruling families, have been trying to make you believe, going as far as attempted murders on the person of Louis XVII, and poisoning or slaughtering people, doctors and nobles faithful to our cause, who were willing and able to act as witnesses in favor of the child's survival and of his legal ties with the royal family. Even nowadays, still using insidious means, although with brutality, some of our cousins keep pursuing their undermining job. In times and countries where monarchy still exists, we could see that they might have some interest in doing so. Aside for the multitude of proofs accumulated over the centuries, even though a number of documents have purposefully -disappeared-, progress in DNA research allows us beyond any doubt to prove that we are the great-grand-sons of Louis XVII. Everything is laid down in writing in this book.
Just see it for yourself.
He-Man has been left for dead—and Hordak’s Fright Zone is set to overtake Anwat-Gar. Adora must call upon the Sorceress Teela, who tells her the story of King Greyskull’s death and of the lost Eternian relic that might save her brother.