Three divers working for the Northern Ireland police are killed as they step ashore after leaving Rathlin Island off the north coast of Ulster. The shootings threaten to spark a return to violence after years of uneasy peace in the Province.
The Destroyer Trilogy brings together three of John Margerison’s WWI naval adventures into one must-have edition for the first time. DESTROYER DOINGS Through a turn of fate, the Stiletto parts company with its flotilla and comes across a German cruiser under the cover and darkness of thick fog that envelopes the sea.
With sheer ingenuity, Harry Knight commands his ship and crew in a highly unconventional manoeuvre … with outstanding outcomes … On another mission to patrol the North Sea, with instructions to stop and examine any passing vessels looking for contraband of war, Stiletto once again manages to beat expectations … Commodore Ellys, aware of Knight’s feisty reputation, is keen on sending Stiletto out to tow the Rapier, a notoriously accident prone ship back home.
An easy enough task had they not come across a steamer that failed to respond to Stiletto’s signals, with no lights on. Amongst other missions, destroying German U-boats, cruising through a seabed thick with mines, Stiletto gracefully comes to the rescue of several vessels that have come under attack. A successful string of missions under the command of Lieutenant Knight and his experienced crew ensure Stiletto is highly commended by the commodore. But its final mission is one that requires the utmost courage… THE HUNGRY HUNDRED The young, but talented Lieutenant James Stanley Murray is tasked with training a class of Royal Navy Reserves, seamen affectionately nicknamed the “Hungry Hundred”. Amongst this motley band are sixteen of the Royal Navy’s finest deserters and scallywags. These rough men answer to no master, but the Lieutenant’s kind hand and strong leadership evoke in them an undying loyalty for their ‘Jimmy’. On their first posting together, the team demonstrate their exceptionalism and their bonds of affection and loyalty to one another are strengthened. Against all odds, the men arrange to follow their commander to his next posting, aboard the Torpedo Boat Destroyer Stilletto, it is on this ship that the sixteen receive their baptism of fire and their bonds of brotherhood are truly tested. HUNTERS OF THE U-BOAT The First World War is raging and, like the land, the seas have been transformed into battlefields. Lurking in the depths is an underwater menace, and wanted or not the war will come to all: A stoic Captain who professes a rooted objection to war, in whatever guise it may take. A rebellious naval reservist, reluctant to take on any more war duties. A hawkish Commodore, seeking his pound of flesh for a failed torpedo attack on his ship. Featuring the likes of Harry Knight and James Carew, these tales of daring and courage sail through duels between vessels, unlikely catches, and aged men-o’-war hoping for one last hurrah. John S. Margerison was born Joseph Margerison in 1887, to a shoemaker in Derby. As a boy of fourteen he ran away to join the Royal Navy, marrying in 1907 and receiving medals for gallantry in 1912.
He was invalided out of the service in 1913 and by the time WWI broke out he was writing prolifically and to critical acclaim. He wrote several enthusiastic stories about life at sea, and during the war, he wrote a series of articles about joining the Navy (‘Come to Sea My Lads’ and ‘Under the Red Ensign’) for boys’ papers during the war.
A Western/Historical Interracial Short Story In 1849, in the midst of the California Gold Rush, Tilly Jackson was a barmaid at the popular Pay Trail Saloon and Hotel. Tilly was content after six months working in the saloon, but she knew her circumstances were about to change for the worse. She could feel it. Before her luck turned, why shouldn't she experience what it was like for a man to make love to her? The handsome new patron with the seductive blue eyes seemed like the perfect gentleman to ask. Leo Samuels, a half white, half Native American outlaw, arrived in the town of Bodie, California to escape from the law and win big at poker. In The Pay Trail Saloon, the stunning dark-skinned barmaid caught his eye and quickly won his affection.
When Tilly is victim to a brutal attack, Leo vows to eliminate every person that dared to lay a hand on her, despite the danger. He never guessed that once he had Tilly in his hands, he'd never want to let her go.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Taking Yourself Seriously: Processes of Research and Engagement is designed for college students as well as more experienced professionals who want to further their development as researchers, writers, and agents of change.
A wide range of tools and processes for research, writing, and collaboration are defined and described-from Governing Question to GOSP, Plus-Delta feedback to Process Review, and Supportive Listening to Sense of Place Map. The tools and processes are linked to three frameworks that lend themselves to adaptation by teachers and other advisors: A set of ten Phases of Research and Engagement, which researchers move through and later revisit in light of other people's responses to work in progress and what is learned using tools from the other phases; Cycles and Epicycles of Action Research, which emphasizes reflection and dialogue to shape ideas about what action is needed and how to build a constituency to implement the change; and Creative Habits for Synthesis of theory and practice. Researchers and writers working under these frameworks participate in Dialogue around Written Work and in Making Space for Taking Initiative In and Through Relationships. These processes help researchers and writers align their questions and ideas, aspirations, ability to take or influence action, and relationships with other people. Bringing those dimensions of research and engagement into alignment is the crux of taking yourself seriously. The tools, processes, and frameworks are illustrated through excerpts from two projects: one engaging adult learning communities in using the principles of theater arts to prepare them to create social change; the other involving collaborative play among teachers in curriculum planning. A final section provides entry points for students and educators to explore insights, experiences, and information from a wider world of research, writing, and engagement in change.
Set in apartheid South Africa, this powerful and lyrically written novel is Linzi Glass's debut. As twelve-year-old Emily Iris explains it, her mother and father have always been eager to take in travelers and vagabonds, relying on the presence of outsiders to ease the tension between them. Emily has her gentle older sister, Sarah, and Buza, the old Zulu nightwatchman, for company and comfort. But her parents' continuing discontent leads them to welcome some peculiar strangers. One spring, a family of wanderers--a wildlife photographer, his wife, and two boys--comes to stay, and their strange, compelling, and dangerous presence will leave the Iris family infinitely changed.