FICTION "Twisted Knots" by D.
A. Xiaolin Spires "Reversion" by Nin Harris "The Stone Weta" by Octavia Cade "In the Blind" by Sunny Moraine "A Man Out of Fashion" by Chen Qiufan, translated by Ken Liu "Fleet" by Sandra McDonald "Venice Drowned" by Kim Stanley Robinson NON-FICTION "How to Invent an Alien Language? A Linguistic Perspective" by Olga Kuno "Pirate Pharmaceuticals, Robots, and Kaiju: A Conversation with Annalee Newitz" by Chris Urie "Another Word: The Subtle Art of Promotion" by Cat Rambo "Editor's Desk: Ask and You Shall Receive" by Neil Clarke
When Nona Conklin brings him a painting by the great-grandfather she never knew, gallery owner Timothy Randolph knows he's found the project of a lifetime: curating a spectacular cache of folk art hidden for decades in the mountains of her home. "God never made a lazier man than Cecil Conklin. Never put a more slothful soul in a fella big enough to wrestle an ox to the ground." The Conklin Collection is haunted and haunting, powerful in its brutal simplicity.
What looks like the work of a fevered imagination begins to appear more and more like the desperate attempts of a man toiling at the edge of his limits to depict what cannot be depicted… An underlying order as old as the hills, its thousand throats concealed beneath the roots and rocks, between the streams and trees, deep in the besieged mountains of Appalachia. "My momma said it was their eighteenth summer when Cecil started shooting up like a weed again.
That ain't normal." But the most crucial painting of all is missing.
And the only place it could be is the last place that should be searched. "The rest, I think they always knew deep down Cecil was the one in trouble, that something was after him already. He never should've gone over the mountain." I'll Bring You the Birds From Out of the Sky is a tale of art and obsession, of a dying heritage and cosmic horror, brought to rustic life with full-color paintings by artist Kim Parkhurst.
O mundo anda faminto de qualquer coisa que não sabe o que é.
Mãos estendidas, estômagos vazios, gente que morre à espera. "Há Sempre Tempo Para Mais Nada" é uma história de perda colectiva e individual, pombos e pilotos suicidas, mosquitos assassinos, macacos raivosos, e rostos sem corpo. A extinção pessoal de um viúvo, embalado numa dança de miséria irresistível que faz da distância um pormenor. Uma viagem de Lisboa a Varanasi, na Índia, terra de morte definitiva num tempo em que nem todas o são, onde o viúvo espera consumar, afundada no rio Ganges, a mais triste das despedidas.
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Librarian note: an alternate cover for this edition can be found here. Just listen, Adam says with a voice that sounds like shrapnel. I open my eyes wide now. I sit up as much as I can. And I listen. Stay, he says. Choices.
Seventeen-year-old Mia is faced with some tough ones: Stay true to her first love—music—even if it means losing her boyfriend and leaving her family and friends behind? Then one February morning Mia goes for a drive with her family, and in an instant, everything changes. Suddenly, all the choices are gone, except one. And it's the only one that matters. If I Stay is a heartachingly beautiful book about the power of love, the true meaning of family, and the choices we all make.