Created through a "student-tested, faculty-approved" review process with over 70 students and faculty, CDEV is an engaging and accessible solution to accommodate the diverse lifestyles of today's learners at a value-based price. CDEV employs a visually appealing design with photos and graphics, plus chapter-by-chapter study cards, online self-quizzes, downloadable flash cards, and online observation videos to capture and hold students' attention.
From the egg to the ocean, see where these adorable creatures live, what they eat, how they are born and raised, and how they survive in their frigid environments. Kids will be intrigued to know that the father penguins care for the young right after they are born, while the mother penguin goes to the ocean to find food. They will also learn that penguins have a layer of fat called blubber to keep them toasty warm.
A mig camí entre la memòria i la ficció, en una barreja de gèneres, Pa negre gira a l’entorn de l’Andreu, un vailet de la Plana de Vic en els anys més crus de la postguerra. Ell pertany a la banda dels perdedors: el seu pare, home de ferms ideals republicans, ha estat empresonat per roig. De resultes d’això, la mare s’ha hagut de posar a treballar a la fàbrica i el confia a uns parents que viuen a pagès. Tot i viure lluny dels pares, en un clima de por que es palpa arreu, el temps a la masia estarà farcit de sentiments i descobertes. Hi descobrirà el misteriós món dels adults, la intuïció rere les paraules dels grans, farà tentines en els viaranys del sexe. És, també, un temps d’amistats valentes, de contes explicats a la vora del foc, de jocs a l’aire lliure, de plantar barraques a les branques dels arbres, de farinetes de blat de moro, de pa amb vi i sucre... de pa negre. En temps de guerra –i de postguerra- tots els sentiments són abrandats, van a l’essència: o tot o res, perquè no hi ha gairebé res a perdre. L’amor, l’odi, la passió, la rancúnia, la venjança, la hipocresia, la humiliació... res no s’escapa de la vida dels personatges d‘aquesta obra, en què Emili Teixidor aconsegueix transportar-nos a una època de repressió i de missa obligada. L’autor recrea amb total precisió l’ambient rural de la Catalunya de postguerra amb una llengua vivíssima, rica, plena de matisos, i un ple domini de la tensió narrativa. De mica en mica, el lector assistirà a un canvi substancial en l’Andreu, que aprendrà de cada cosa que li passa i que, de perdedor passa a sentir-se guanyador, en una metàfora del país que assimila la derrota i accepta, amb passivitat, una victòria que no és la seva.I s’adonarà també d’una lliçó molt important: a més estimació, més perills de tota mena. L’amor crema.
Mişima'nın, "Yaşayan en büyük Japon yazarlarından biri," dediği Kenzaburo Oe, kitaba adını veren "Kurbanı Beslemek" adlı uzun öyküsünde en sıradan ve masum insanın nasıl bir canavara dönüşebileceğini, salt mimiklerle bile ırkçılığın nasıl usul usul beslenebileceğini anlatır. Can Yayınları'nın geçmişte üç ayrı kitap olarak yayımladığı Kurbanı Beslemek, Delilikten Kurtar Bizi ve Gözyaşlarımı Sileceği Gün adlı bu üç uzun öyküsünde Oe, çağdaş dünyanın uğraştığı en sıkıcı insani sorunları yüksek bir edebî başarıyla anlatıyor. Özgün dilinden yeniden çevrilen bu üç uzun öykü bu kez bir arada yayımlanıyor. Kurbanı Beslemek (Shiiku) : 1957 Delilikten Kurtar Bizi (Warera no kyōki wo ikinobiru michi wo oshieyo): 1969 Gözyaşlarımı Sileceği Gün (Mizukara waga namida wo nuguitamau hi): 1972
Meet just a few of the animals and people who have been a part of SOAR, the Southport/Oak Island Animal Rescue. You'll meet Captain Jack, a dog that was shot and left to die before being rescued by one of our volunteers; Sadie, a dog found in horrible living conditions with a broken, use leg and covered by fire ants; and Saint, an unwanted dog who became a best friend and service dog to a paralyzed young man. You will also read about a tragedy that occurred when pit bulls gained access to our property and cattery. These stories will give you a glimpse of life, and death, inside a small country animal shelter.
Call Me Tom is the first book-length biography of one of Missouri’s most successful senators. A moderate liberal in a conservative state, Thomas F. Eagleton was known for his political independence, integrity, and intelligence, likely the reasons Eagleton never once lost an election in his thirty years of public service. Born in St. Louis, Eagleton began his public career in 1956 as St.
Louis Circuit Attorney. At 27, he was the youngest person in the history of the state to hold that position, and he duplicated the feat in his next two elected positions, attorney general in 1960 and lieutenant governor in 1964. In 1968, he was elected to the U.S. Senate, where he served until 1987. He was thrown into the national spotlight in 1972 when revelations regarding his mental health, particularly the shock treatments he received for depression, forced his resignation as a vice presidential nominee of the Democratic Party. All of that would overshadow his significant contributions as senator, especially on environmental and social legislation, as well as his defense of Congressional authority on war making and his role in the U.
S. military disengagement from Southeast Asia in 1973. Respected biographer James N. Giglio provides readers with an encompassing and nuanced portrait of Eagleton by placing the man and his career in the context of his times. Giglio allows readers to see his rumpled suits, smell the smoke of his Pall Mall cigarettes, hear his gravelly voice, and relish his sense of humor. At the same time, Giglio does not shy away from the personal torments that Eagleton had to overcome. A definitive examination of the senator’s career also reveals his unique ability to work with Republican counterparts, especially prior to the 1980s when bipartisanship was more possible. Measuring the effect his mental illness had on his career, Giglio determines that the removal of aspirations for higher office in 1972 made Eagleton a better senator. He consistently took principled stands, with the ultimate goal of preserving and modernizing the agenda of Franklin D. Roosevelt, his favorite president. Thoroughly researched using the Eagleton Papers and interviews with more than eighty-five people close to Eagleton, including family, friends, colleagues, subordinates, and former classmates, Call Me Tom offers an engaging and in-depth portrayal of a man who remained a devoted public servant throughout his life.
Meet A.K. Swift, a working-class war veteran and family man who is haunted by visions of nuclear apocalypse. When matters of conscience determine that he can no longer support the State-sponsored institutions that create the machines that threaten the living, A.K.decides to stop paying. Trouble is, he's not a very good tax resister. He forgets to attend the meetings and doesn't bother to fill out the proper forms. Now he worries there may be consequences. From the dustbin of Cold War protest literature, Bradley Smith s The Man Who Saw His Own Liver emerges as a heartfelt meditation on the time problem of the individual against authority. Rooted in libertarian theory and the moribund tradition of American transcendentalism, it is the story of an accidental rebel trembling in comic defiance under the yoke of God and State, and before the face Leviathan of modern Bureaucracy. Smith's writing is animated by a crisp and laconic prose-poetic hum. His is a uniquely personal canvass in which storytelling and gently wrought polemics interweave, seamly, with turns of magical realism coming to rest in that frail, strangely familiar liminal space, where ineffable exaltation and terror transcend the political. Originally conceived and performed for the stage in 1983, The Man Who Saw His Own Liver is presented by Nine-Banded books in novelized form.
It is appended with Smith s short story, Joseph Conrad and the Monster from the Deep. We hope you enjoy it.