An experienced Pentagon correspondent for Newsweek reveals the excruciating training and dangerous missions of America's elite fighting forces, including the Navy SEALs and Delta Force, following them into battle in Desert Storm.
Fifteen short, accessible essays exploring the most important topics and themes in John Milton's masterpiece, Paradise Lost. The essays invite readers to begin their own independent exploration of the poem by equipping them with useful background knowledge, introducing them to key passages, and acquainting them with the current state of critical debates. Chapters are arranged to mirror the way the poem itself unfolds, offering exactly what readers need as they approach each movement of its grand design. Part I introduces the characters who frame the poem's story and set its plot and theological dynamics in motion. Part II deals with contextual issues raised by the early books, while Part III examines the epic's central and final episodes. The volume concludes with a meditation on the history of the poem's reception and a detailed guide to further reading, offering students and teachers of Milton fresh critical insights and resources for continuing scholarship.
When Nona Conklin brings him a painting by the great-grandfather she never knew, gallery owner Timothy Randolph knows he's found the project of a lifetime: curating a spectacular cache of folk art hidden for decades in the mountains of her home. "God never made a lazier man than Cecil Conklin. Never put a more slothful soul in a fella big enough to wrestle an ox to the ground." The Conklin Collection is haunted and haunting, powerful in its brutal simplicity.
What looks like the work of a fevered imagination begins to appear more and more like the desperate attempts of a man toiling at the edge of his limits to depict what cannot be depicted… An underlying order as old as the hills, its thousand throats concealed beneath the roots and rocks, between the streams and trees, deep in the besieged mountains of Appalachia. "My momma said it was their eighteenth summer when Cecil started shooting up like a weed again.
That ain't normal." But the most crucial painting of all is missing.
And the only place it could be is the last place that should be searched. "The rest, I think they always knew deep down Cecil was the one in trouble, that something was after him already. He never should've gone over the mountain." I'll Bring You the Birds From Out of the Sky is a tale of art and obsession, of a dying heritage and cosmic horror, brought to rustic life with full-color paintings by artist Kim Parkhurst.
This describes a woman's rise from living hand-to-mouth to pilot of United Airlines. She dreamed, worked very hard and never gave up.
In October 1990, the Library of Congress announced its list of twenty-five culturally, historically, and aesthetically significant films to be added to the National Film Registry. The River, written and directed by Pare Lorentz in 1937, was inducted along with Scorsese's Raging Bull and Capra's It's a Wonderful Life. Originally published in 1967, Pare Lorentz and the Documentary Film was the first book devoted exclusively to the works of Lorentz. Robert L. Snyder focuses on the films Lorentz made for the United States Film Service - The River, The Plow That Broke the Plains, and The Fight for Life. With the exception of a few vintage World War I training films, these three films were the first made by the government for general viewing by the American public. It was Lorentz's idea to produce a series of films about the pressing problems facing the nation during the Great Depression - drought, floods, poverty, and slums. With an initial budget of $6,000 and the enormous drive and energy of a young director who had never made a motion picture, the beginnings were anything but auspicious.
The results, however, were sensational and often made national headlines. In spite of inadequate budgets, bureaucratic red tape, professional jealousies, Lorentz developed new filming techniques and set new standards in his documentaries.
Snyder has written a perceptive account of the production of these classic films and the contemporary reaction to them, along with a critical evaluation of each work.
This is an important book for anyone interested in documentary film and the history of the Depression era.
Experience the finale to the bestselling Amazon quadrilogy Bryn is awake and the clock is ticking.
Her dreams have ignited cracks in the universe wide enough for things to slip through--nightmares--and the only way to keep the world from ripping apart at the seams is to find the other Dreamers and wake them too. But Bryn's death has awakened something else--a dark desire in her to give in to the madness that led to the First Dreamer's demise. Roman knows what it's like to give in to the darkness. But even as visions of his mother continue to follow him from ravaged city to ravaged city, her ghost appearing in smoke and broken glass with a silent message he can't quite decipher, he refuses to be the one who needs saving. Instead, it's Bryn who needs a miracle and Roman is determined to find it if it's the last thing he does.
Patrick Aldermann, an accountant with a company that makes toilets, is passionate about his roses, which he prunes ruthly, 'deadheading' any blossoms a minute past their prime so as to make space for the younger blooms. Not much of a gardener, Dalziel views Patrick as a strong contender for the title of Most Boring Man in Yorkshire. Pascoe, though, has noticed that senior executives at the toilet company 'gentlemen, you might say, just a minute past their prime' have an unlucky habit of dying. And when they do, it's all but inevitably Patrick who, like a lucky young bloom, is poised to take their place.