Meet A.K. Swift, a working-class war veteran and family man who is haunted by visions of nuclear apocalypse. When matters of conscience determine that he can no longer support the State-sponsored institutions that create the machines that threaten the living, A.K.decides to stop paying. Trouble is, he's not a very good tax resister. He forgets to attend the meetings and doesn't bother to fill out the proper forms. Now he worries there may be consequences. From the dustbin of Cold War protest literature, Bradley Smith s The Man Who Saw His Own Liver emerges as a heartfelt meditation on the time problem of the individual against authority. Rooted in libertarian theory and the moribund tradition of American transcendentalism, it is the story of an accidental rebel trembling in comic defiance under the yoke of God and State, and before the face Leviathan of modern Bureaucracy. Smith's writing is animated by a crisp and laconic prose-poetic hum. His is a uniquely personal canvass in which storytelling and gently wrought polemics interweave, seamly, with turns of magical realism coming to rest in that frail, strangely familiar liminal space, where ineffable exaltation and terror transcend the political. Originally conceived and performed for the stage in 1983, The Man Who Saw His Own Liver is presented by Nine-Banded books in novelized form.
It is appended with Smith s short story, Joseph Conrad and the Monster from the Deep. We hope you enjoy it.
In Rue Saint Jacques, cultural discovery is weaved throughout a story of loss, intrigue and self-sacrifice. Young Tennessean Marie Doughten becomes fixated on discovering the secret behind her reclusive employer's forbidden, padlocked room in his 5th arrondissement apartment.
Marie's insatiable curiosity forces her to choose between placing her own life at risk to help the mysterious Charles-Henri de la Motte, or maintain her distance and suffer the consequences of her apathy.
Following her wildly popular memoir trilogy, Marlayna now shares ons learned in six months traveling through fourteen countries.
Readers will find hope in this true story that teaches the wisdom of creating and receiving miracles on a journey of self-discovery by saying “Yes.” Marlayna had been a single parent for fifteen years when she felt she had nothing left of herself to give. Drained and empty, she writes, "I'd reached a point in my life where something had to give, and it could no longer be me." In Forty-Something Phoenix, she discovers how passion can arise unexpectedly from the ashes of one life to craft another. This memoir redefines the love story; illustrating how self-acceptance and self-love can be renewed when exploring the disparities, similarities, histories, loves and losses in other cultures. “Reading a Marlayna Glynn Brown memoir is like watching a high speed train picking up speed, as it careens towards a collision with an oncoming train. In this case, the heroine (Marlayna) jumps to safety seconds before the inevitable collision. It's nearly impossible to stop watching. Marlayna's personality is a fascinating mixture of vulnerability, sincerity, optimism, self reflection, sexiness, and humbleness. She is the ultimate underdog. She picks herself up and dusts herself off after another of a series of failed romances and friendships. I would highly recommend reading her prior memoirs. It will assist in putting her latest in the proper perspective.” John L.
Sorriyah Is A Young Girl Who Wants Nothing More But To Explore The World Beyond Her City But She’s In For A Rude Awakening When She Meets Durk, A Well Respected & Connected Drug Dealer.. Durk Schools Her To Game & Decides To Take Her Under His Wing. But With All The Attention To Two Are Getting Comes The Hate, Greed.
And Jealousy. Loyalty Will Be Tested Forcing Sorriyah To See Things Differently... Nothing But Love... Sex... Drugs.... & Vibes