Something weird is going on Music class is awesome The teacher, Mr. Hynde, raps, break-dances, and plays bongo drums on the principal's bald head. But he goes too far when he tries to make A.J. kiss Andrea in the school play. Yuck Will A.J. survive?
O príncipe encantado existe? Bárbara é linda, loira e bem-sucedida. Desde que assistiu a uma cerimônia de casamento pela primeira vez, ainda criança, seu sonho é apenas um: percorrer o tapete vermelho da igreja, vestida de noiva. Porém, contrariando todas as suas expectativas, ao ser abandonada no altar, a vida de Bárbara desmorona. Ela decide voltar à cidade natal e passa a viver com os irmãos e mais dois amigos. Todos homens. Com a ajuda de Vivian, uma espécie de Barbie Malibu, Bárbara tenta superar sua decepção amorosa recente e uma da adolescência, que volta com tudo à sua memória: o garoto dos olhos azuis. Será que o cavalo branco só passa uma vez? É isso que Bárbara vai descobrir com bom humor, jogo de cintura e uma pitada de neurose, em O Garoto dos Olhos Azuis, romance de estreia de Raiza Varella.
In this authoritative volume, race and ethnicity are themselves considered as central organizing principles in why, how, where and by whom crimes are committed and enforced. The contributors argue that dimensions of race and ethnicity condition the very laws that make certain behaviors criminal, the perception of crime and those who are criminalized, the determination of who becomes a victim of crime under which circumstances, the responses to laws and crime that make some more likely to be defined as criminal, and the ways that individuals and communities are positioned and empowered to respond to crime. Contributors: Eric Baumer, Lydia Bean, Robert D. Crutchfield, Stacy De Coster, Kevin Drakulich, Jeffrey Fagan, John Hagan, Karen Heimer, Jan Holland, Diana Karafin, Lauren J.
Krivo, Charis E. Kubrin, Gary LaFree, Toya Z. Like, Ramiro Martinez, Jr., Ross L. Matsueda, Jody Miller, Amie L.
Nielsen, Robert O'Brien, Ruth D. Peterson, Alex R.
Piquero, Doris Marie Provine, Nancy Rodriguez, Wenona Rymond-Richmond, Robert J. Sampson, Carla Shedd, Elizabeth Trejos-Castillo, Avelardo Valdez, Alexander T. Vazsonyi, Maria B.
Velez, Geoff K. Ward, Valerie West, Vernetta Young, Marjorie S. Zatz.
This work by Diane Williams delves into the strange relationships of men and women. From marital betrayal to spousal abuse and unrelenting desire, Williams illuminates the lives of her characters in prose as sparse and stark as it is beautiful. These stories are as short as prose poems and as complex as novels. In them, meanings remain ambiguous and consequences seem uncertain. In the novella “On Sexual Strength” she describes the intense and sometimes strange relationship between two neighboring couples and the rage that comes with adultery, and a narrator whose social inadequacies and lack of inhibitions lead to destruction. The world Williams creates is a sensual place where quiet epiphanies—such as the one that occurs after an extramarital affair— are also possible: “It was like My Trying to Have a Tender-Hearted nature.
This is how love can be featured.” Such flashes of insight and emotion glue together the fragments of life Williams lays before the reader, and the reader rejoices at the revelations.
A young boy discovers the depth of the Creator's love and forgiveness as he accompanies his grandmother to deliver Christmas gifts. Earlier in the year the three young men who received the gifts cruelly hurt both grandmother and grandson, pushing them down in the snow and taking their coats and Grandmother's moccasins. In this true story told from his own childhood, Ray Buckley tells how Grandmother labored through the year to produce moccasins for each of the young men that were of extraordinary design and loveliness. In her giving and through her forgiveness she draws the young men into the compassion of God's love. Walking back through the trees, her grandson realizes that same love has made the two of them truly free.
Following her wildly popular memoir trilogy, Marlayna now shares ons learned in six months traveling through fourteen countries.
Readers will find hope in this true story that teaches the wisdom of creating and receiving miracles on a journey of self-discovery by saying “Yes.” Marlayna had been a single parent for fifteen years when she felt she had nothing left of herself to give. Drained and empty, she writes, "I'd reached a point in my life where something had to give, and it could no longer be me." In Forty-Something Phoenix, she discovers how passion can arise unexpectedly from the ashes of one life to craft another. This memoir redefines the love story; illustrating how self-acceptance and self-love can be renewed when exploring the disparities, similarities, histories, loves and losses in other cultures. “Reading a Marlayna Glynn Brown memoir is like watching a high speed train picking up speed, as it careens towards a collision with an oncoming train. In this case, the heroine (Marlayna) jumps to safety seconds before the inevitable collision. It's nearly impossible to stop watching. Marlayna's personality is a fascinating mixture of vulnerability, sincerity, optimism, self reflection, sexiness, and humbleness. She is the ultimate underdog. She picks herself up and dusts herself off after another of a series of failed romances and friendships. I would highly recommend reading her prior memoirs. It will assist in putting her latest in the proper perspective.” John L.
An unimaginable trauma. A future that seems impossible. When your world shatters, how do you put it back together? For 950 days, Kathleen Conners has struggled with that choice. Behind a scarf and sunglasses, she hides from the world, from herself, from The Event, from any future with anyone. After receiving a box of letters from his deceased mother, Matt Nelson is shoved from his predictable, controlled life to a secluded beach in North Carolina. While trying to understand his mother’s intent, he discovers Kathleen. Matt must choose whether to follow the path his mother orchestrated or rescue the woman who has captured his heart. When the only person Kathleen blames more than herself reappears, can Matt be the strength Kathleen needs to create a new life, or will he be forced to walk away if she decides the climb is too great?