Chef-d'œuvre mythique et singulier de la science-fiction, le cycle des Seigneurs de l'Instrumentalité compose au fil de ses tableaux une légende des siècles futurs, empreinte de poésie et d'une profonde humanité. Une vision inoubliable de notre avenir, d'une ambition comparable au Fondation d'Isaac Asimov ou à L'Histoire du futur de Robert Heinlein, complétée au tome IV de Concordance, essai inédit d'Anthony Lewis, nominé au prix Hugo 2000, qui analyse tous les personnages, lieux et éléments apparaissant dans cette gigantesque histoire du futur.
Chism Talbert had loved her first, and best -- but he had broken her heart. He was the caretaker's handsome son.
She was Minta Westerly, the privileged girl who'd surrendered to him one starry summer night -- then been abandoned when he abruptly left town. Now she was back in the big house where she'd spent family vacations -- and suddenly, impossibly, Chism walked through the door, pinning her with mesmerizing eyes that burned with fury and desire. Both were haunted by the dreams they'd woven together, the promises they'd whispered under a willow tree -- and both were devastated by a misunderstanding that still felt like a betrayal. But the years apart and the pain they had denied only fed the fires of passion that sizzled within. Minta longed to taste the magic of Chism's lips once more, even if he insisted that time had made them strangers. Could she make him see she belonged in his world, and that he would have a home in her heart forever?
"Welcome to Central City, a city of thousands. Jack Malone and Ruddy are back after The Lost Angel, and both mens paths will change forever. Meanwhile boy meets girl, but does the girl have other intentions than just bagging her man
Matt Blake, is a heart old banker, who never had any compassion for his employees. He did not pay them generously, to put it mildly, and he fired them for outrageous reasons, like they have been sick and left work for a day. One fine day, Blake is holding a meeting at the First Central Bank of East Main where he works as the president of the bank. He leers at a pretty blond haired woman with blue eyes and ample breasts who walks into the building. The great-looking woman happens to carry a sawed-off shotgun and orders the bank employees to give her money in bags. The workers obey her. When Blake tried to intervene, she shoots him down.
Before security guards could stop her, she rushes to an elevator with the money she just robbed. Of course, security guards are waiting for her on the upper floor, however, the woman mysteriously disappears on her way there. Nobody can understand how and where she could escape, along with the money she robbed. When the doors of the elevator slide open, nobody is there. Who killed Matt Blake? Where did she go? Match wits with Alex French and see if you can catch the killer.
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A fun mini edition of the first book to embrace the whole of the UK and its creative influence on international fashion, this will appeal to industry professionals, students, and anyone with an interest in fashion. Inspirational and informative, this book focuses on the British designers who, since 2000, have made their influence resonate globally: designers such as Stella McCartney, Alexander McQueen, Hussein Chalayan, Vivienne Westwood, John Galliano, Julien Macdonald, Giles Deacon, Matthew Williamson, and Paul Smith. The chapter on each designer defines visually how Britishness informs their work, showing final collections, process work, and studio space. Text in the form of questions and answers or running text illustrates each designer's British influence and distinct style.
WHO KNOWS WHAT EVIL LURKS IN THE HEARTS OF MEN? The marks of death were upon them. A mysterious round burn no bigger than a dime scarred each forehead; upon each throat was a thin, almost invisible white line. The police were baffled, but each of the victims knew that his time was up and his page in the book of death had come due. It was obviously a case for THE SHADOW but the most famous crimefighter of all was missing! Where was the Master of Darkness? Had he finally succumbed to his brilliant adversary, the High Priest of the Cult of Kali? The evil genius who had infiltrated New York's underworld like a disease was now determined to destroy the last obstacle in his mad lunge for total power: THE SHADOW! Originally published in Shadow Magazine, Volume II, Number 6, July 1932.
From the beginning, American culture was steeped in the language of theology. The arts, in particular, were inextricably linked with religion. As author Gene Edward Veith shows in Painters of Faith, belief in the spiritual power of art provided the basis for America’s first major artistic movement, the Hudson River School. The personal faith of Thomas Cole, Asher B. Durand, Jasper Cropsey, Frederic Church, and the other Hudson River School painters inspired their transcendent landscapes. In this fascinating and beautifully illustrated work, Veith explores that faith and the crucial role it played in their artistic creations. Aesthetics, he shows, could not be separated from theology. In reconstructing the worldview of the artists as well as of much of the American public in the nineteenth century, Veith delves into the writings of Martin Luther, John Calvin, and the American Puritan preacher Jonathan Edwards to find the roots of a Protestant aesthetic. While Protestantism is not ordinarily associated with a strong artistic tradition, Veith reveals how Protestant Christianity in nineteenth-century America was indeed a catalyst for the arts. In fact, the clergy were among the most ardent promoters of the arts in the new republic, and theological journals continually carried on discussions about art. The Hudson River School artists, in particular, expressed ambitious themes, employing narrative, symbolism, and allegory to convey moral and spiritual truths. Complete with forty-two full-color illustrations, Painters of Faith is an in-depth examination of the artistic and theological context in which these painters worked—and a gripping look at the cultural development of early America.